Il Varco is proud to announce the fifth edition of the international avant-garde digital cinema residency. Ten days of workshops - in person at Revine Lago in collaboration with Lago Film Festival, from 18th to 29th of August, and online from all over the world - to explore the frontiers of the cinema of the future, with the tutoring of the most established directors of the genre.
Call for entries is open until June 2nd for filmmakers of any nationality and age. Submission is free.
In today’s cinematic landscape, which is increasingly suffocating, it is liberating to develop all the tools necessary to become completely independent. Through ten days of workshops, 40 directors from all over the world will participate in seminars, theoretical and practical lessons held by Andrea Gatopoulos, Ismaël Joffroy Chandoutis, Total Refusal Crew, Gala Hernández López, Francesco D’Isa and Arianna Caserta, delving into cutting-edge digital cinema techniques, from machinima to artificial intelligence to database cinema, writing, shooting and editing a short film.
TUTORS
Andrea Gatopoulos is an Italian and Greek director, producer, and distributor. A member of EFA, Berlinale Talents, Locarno Spring Academy, and TFL, he studied in workshops with W. Herzog, Radu Jude, and A. Weerasethakul. His films deal with virtual realities, disturbing valleys, anti-capitalism, and critiques of progressivism. “Happy New Year, Jim” (2022) was the first machinima film at Cannes, at the 54th Quinzaine des Réalisateurs. In 2023, he presented “Eschaton Ad”, a film about the apocalyptic advent of AI, at Locarno. Later that year, he presented *“A stranger quest”* (2023), his first feature-length documentary about maps, at the Torino Film Festival. In 2024, his short film “The Eggregores’ Theory” opened the 39th Critics’ Week in Venice as the first AI film in Venice and was nominated for the EFA by ZINEBI and the 70th David di Donatello Awards, winning a special Nastro D’Argento for experimentation.
Gala Hernández López is an artist, filmmaker, and researcher. Her interdisciplinary practice ranges from film production to video installations, performances, and publications, using these media as avenues for epistemological inquiry. Her work explores new forms of subjectivity shaped by computational capitalism. Her film La Mécanique des fluides (2022) is the first in a trilogy of films that reflects on processes of individuation in relation to algorithms and digital flows of data and capital. It won the César Award for Best Documentary Short Film in 2024. “Here I am sitting in a Tin Can” had its world premiere at the Berlinale – Forum Expanded in February 2024, and “+10k” was presented at the Quinzaine des Cineastes in Cannes in 2025.
Total Refusal is a pseudo-marxist media guerilla focused on the artistic intervention and appropriation of mainstream video games. We upcycle video games in order to reveal the political apparatus beyond the glossy and hyperreal textures of this media. Their films have been selected in many festivals including Berlinale and Locarno and their artistic research has been featured worldwide in museums and art fairs. With “Hardly Working”, which premiered in Locarno, they won the European Film Award for Best Short Film.
Ismaël is a filmmaker and artist who trained at Le Fresnoy and whose student films were screened in many festivals. A graduate of INSAS, LUCA School of Arts, and Le Fresnoy, He exhibits his work in major institutions, like Centre Pompidou in Paris, Pearl Art Museum in Shanghai and in the most prestigious festivals, from Venice Biennale to Cannes, Annecy, IDFA. Since 2022, Ismaël Joffroy Chandoutis has been an associate artist at Centquatre-Paris. With Maalbeek, selected for the 59th edition of La Semaine de la Critique, he went further in his investigation of how identity, technology and the virtual world interact, by piecing together the images and sounds of the fragmented, traumatic memory of a victim of the 2015 Brussels terrorist attacks. He won the César 2022 for best Short Documentary.
Graduated in Philosophy, Francesco D’Isa is the author of essays and novels published by Hoepli, effequ, Tunué, Newton Compton, and Edizioni Tlon. Over the years, he has gained extensive experience as a theorist and popularizer in the fields of Artificial Intelligence and creativity, as well as a digital artist. His artistic work stands out for its highly distinctive aesthetics, the result of exceptional skill in prompt writing and generating images and figures whose unique style is often the outcome of errors deliberately guided by D’Isa himself.
Recently, he published the illustrated “philosophy novel” Sunyata (Eris Edizioni) and The Algorithmic Revolution of Images (Sossella Editore, 2024). Editorial director of the cultural magazine L’Indiscreto, D’Isa writes and draws for various Italian and international magazines. His works are increasingly exhibited in shows both in Italy and abroad. He is currently a Philosophy professor at the Lorenzo de’ Medici Institute (Florence) and teaches Illustration and Contemporary Plastic Techniques at LABA Brescia. Francesco will hold a workshop on Artificial Intelligence Aesthetic for the participants of Nouvelle Bug vol. 5.
Born in Rome in 2001, Arianna Caserta is a writer and a film studies scholar whose research focuses on the hybridizations between moving images and internet culture, with a particular emphasis on identity and online self-narrations. Previously Staff Writer for i-D Italy, she has published excerpts of her research on 032c, Dazed, Institute of Network Cultures, Flash Art, NOT, Do Not Research and more. She is the author of Teen Nihil: cinema, adolescenza e nichilismo (Inactual, 2026), communications manager for the artist’s cinema festival Loop Barcelona, and curator at CAMPO26, the curatorial program by Fondazione Sandretto Re Rebaudengo, Turin.
Arianna will hold a workshop on internet culture for the participants of Nouvelle Bug vol. 5.
Zhenia Kazankina is a director, screenwriter, and editor, born in Moscow, Russia, in 1996. She graduated from the Gerasimov Institute of Cinematography (VGIK) and is currently based in Rome, Italy.
Her work explores themes of adaptation, attachment, and the search for belonging, often through the lens of feminine characters and perspectives. Unfolding in a collective dimension, her stories are rooted in metaphorical concepts and personal experience, and touched with elements of mystery and fable.
Her short films have screened at international festivals including Locarno Film Festival, Palm Springs ShortFest, ZINEBI, True/False, and many others. She is an alumna of Locarno Filmmakers Academy, Spring Academy, and Reykjavík Talent Lab.
Zhenia is the Development Tutor of Nouvelle Bug vol. 5.
“Happy New Year, Jim” by A. Gatopoulos
“La Mecanique de Fluides” by G.H. Lopez
“Maalbeek” by Ismael J. Chandoutis
“How to Disappear” by Total Refusal